AAS Objeq Delay 2: New Creative Delay with Acoustic Resonance

Applied Acoustics Systems (AAS) has officially announced the release of Objeq Delay 2, a significant update to their creative delay effect plugin. This new version, available for both macOS and Windows, reimagines traditional delay processing by seamlessly integrating classic delay techniques with advanced acoustic resonance modeling. Consequently, Objeq Delay 2 offers a fresh approach to sound design, pushing the boundaries of what a delay effect can achieve.

The core innovation of Objeq Delay 2 lies in its unique fusion of delay and acoustic resonance. Unlike conventional delays, this plugin employs AAS’s distinctive physical modeling technology to introduce dynamic, resonant textures into the delayed signals. Furthermore, the development team leveraged insights gained from the original Objeq Delay, expanding its capabilities beyond initial expectations. Eric Thibeault, lead product designer at Applied Acoustics Systems, highlighted this evolution, stating that the new topologies, additional modulator, and redesigned acoustic Objeq filter contribute a unique sonic character to any production arsenal. Therefore, producers can expect a tool that not only delays but also actively shapes and enriches sound.

Versatile Delay Topologies and Advanced Modulation

Objeq Delay 2 introduces four distinct delay topologies, each meticulously crafted to provide a different kind of echo, rhythm, and spatial motion. These include one-tap, two-tap, four-tap, and split modes, offering a wide spectrum of creative possibilities. For instance, the split mode allows for intricate stereo manipulations, while the multi-tap options open doors to complex rhythmic patterns. Additionally, select modes now feature immersive psychoacoustic panning, contributing to a more expansive and engaging soundstage. Moreover, the plugin boasts an extra modulator compared to its predecessor. This dual modulator system provides LFOs, dynamics-based controls, and pitch tracking, enabling users to create complex, evolving, and highly responsive effects that react dynamically to the input signal. Consequently, the sonic textures can range from subtle movements to dramatically shifting soundscapes.

Innovative Objeq Filter and Enhanced User Experience

A significant enhancement in Objeq Delay 2 is the redesigned Objeq module. This innovative acoustic filter now features morphable object types and frequency-response inversion. As a result, it allows for a much wider range of resonant colors and tonal transformations. This means the delay can take on the characteristics of various physical objects, from metallic chambers to wooden resonators, offering unprecedented sonic flexibility. Similarly, the user experience has been significantly improved with a brand-new user interface. This fresh look provides enhanced visual clarity, making the plugin more intuitive and enjoyable to operate. Furthermore, Objeq Delay 2 comes equipped with a brand-new library of over 100 inspiring presets. These presets serve as excellent starting points for instant use, exploration, and discovery, helping users quickly harness the plugin’s extensive capabilities and integrate it into their workflows.

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Features

  • Four delay topologies: one-tap, two-tap, four-tap, and split, each designed for different echo, rhythm, and spatial motion.
  • One extra modulator for complex, evolving effects, offering LFOs, dynamics-based controls, and pitch tracking.
  • New Objeq module with morphable object types and frequency‑response inversion for a wider range of resonant colors.
  • Brand‑new user interface with improved visual clarity.
  • Brand-new library of 100+ inspiring presets for instant use, exploration, and discovery.
  • Available for macOS and Windows in 64-bit VST3, Audio Units, and AAX Native formats.

Price
Intro: 79.00 USD
Regular: 99.00 USD
Upgrade for Objeq Delay 1 users: 39.00 USD (Intro)
Upgrade for Objeq Delay 1 users: 49.00 USD (Regular)
Introductory pricing valid until May 5, 2026.

👍 Pros

  • Unique delay engine combining classic techniques with acoustic resonance.
  • Versatile with four distinct delay topologies for varied rhythmic and spatial effects.
  • Advanced modulation capabilities with dual modulators (LFOs, dynamics, pitch tracking).

👎 Cons

  • Requires 64-bit host, potentially limiting older systems.
  • Specific sonic character of the Objeq filter might not suit all production styles.

 


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